Titled after Edward Hopper’s etching from 1921, which shows a naked woman kneeling on the edge of a bed, blown by the night wind that moves the curtain, this exhibition examines the subject of the rumpled bed, the topics of sleep and dream. The bed in Hopper’s work is a recurrent metaphor, just as it is for Tomasko (b.1967, Zurich), who has explored the abandoned morning bed, with its furrows and imprints of nocturnal life, throughout her artistic development.