To get a bespoke experience of our exhibitions, contact us to arrange a private digital tour accompanied by a senior member of staff. Based on the Zoom technology, the tours are available in English, German, Spanish and French, during the opening hours of the gallery. Book your tour here.

Christian Boltanski’s exhibition ‘Animitas’ has recently opened at the Noguchi Museum in Queens, New York. The artist’s famous outdoor sound installation is  part of an  elaborate series of works that Boltanski named after the small altars that can be found at the side of the road in Chile, for example, in memory of victims of accidents and in honour of saints, where they are called ‘animitas’ (‘small souls’). Made from countless Japanese bells it fills the museum’s garden with ‘music of lost souls’.

'Usagi Kannon' (2012/2019) by Leiko Ikemura has found a new temporary spot at Parc del Mar in Palma de Mallorca. The outdoor installation is part of an exhibition in collaboration with the Ajuntament de Palma and Casal Solleric. 

Sean Scully will be giving an online lecture titled ’Sean Scully: By Hand' on 26 April, 7 pm CET, moderated by Prof. Dr. Dorothea von Hantelmann, Professor of Art and Society at Bard College Berlin. The lecture will take place via Zoom. Registration is possible through the American Academy in Berlin. All registered guests will receive participation instructions prior to the event. 

For over twenty years, Liliane Tomasko has explored the themes of dreams, sleep and the unconscious within her artistic practice. This book follows the evolution of her painting.

Desert X is an outdoor exhibition festival located in the Californian desert of Coachella Valley, taking place for the third time since 2017. Evolving not only around this particular place but also around the idea of the desert, the exhibition gathers works by different artists that explore socio-political and cultural realities of the valley’s residents.

'Aún Más Mañanas' (Even More Tomorrows) gathers bronze and ceramic sculptures as well as paintings by Japanese-Swiss artist Leiko Ikemura. Most of Ikemura’s work circulates around femininity and focuses on the hybridity of beings, captured in states between animal or human shape merging in with nature. 

Works by Ghada Amer and Kimsooja are part of the exhibition 'Breaking the Monument. Images of Resistance' at Centro Galego de Arte Contemporánea, which gathers subtle but sharp works by female artists attacking consisting symbolism and iconography.

Cabrita's most important painting exhibition to date, 'Cabinet d'amateur', was curated by Helena Juncosa and consists of more than 250 paintings that cover the forty years of Cabrita's career as a painter, from the eighties to the present day. The show is conceived as one single work, without beginning or end, based on the various references included in the pictorial work.

Exploring various topics such as history, family, migration, or colonialism, William Kentridge's creative process always starts with a drawing. With works on display spanning over 40 years of artistic production, including drawings, animated films, videos, prints, sculptures, tapestries and large-scale installations, this is the largest presentation of his work to date.

Sean Scully conceived his exhibition 'Insideoutside' in Skulpturenpark Waldfrieden as a dialogue between the park and the architecture of the museum, producing several new indoor and outdoor sculptures on this occasion.

In a conversation shot in his studio, Christian Boltanski talks to Álex Vicente about the lockdown, his childhood, religion, politics, oblivion and much more. This interview offers a rare glimpse into the artist's creative process and current works in progress.

Leiko Ikemura has been invited to Kunsthalle Rostock to create a dialogue between her own works, strongly influenced by her East Asian background, and works by different artists from Eastern Germany or Eastern Europe. 

Sean Scully has conceived new site-specific works for Waldfrieden Sculpture Park in dialogue with the surrounding landscape. A series of sculptures up to five metres high are dotted about the fourteen hectares of verdant woodland.

The Wanås Foundation presents a major exhibition by artist Kimsooja that includes site-specific installations, sculptures, films and paintings, spreading across the galleries and the surrounding grounds.

Kewenig is pleased to present the artist book L.J.J.W. Architekt by Bernardi Roig in collaboration with Agustín Fernández-Mallo and Fernando Castro in the Oratori de Sant Feliu. The object-book deals with the strange relationship of the philosopher Ludwig Josef Johann Wittgenstein with architecture.

In this group exhibition Zazil Barba, Cabrita, José Dávila and Maria Taniguchi re-signify objects and, in doing so, open up the possibility of a symbolic language, of a process of initiation that briefly suspends mundane reality, giving way to doubt, surprise, and even joy.

‘A Roving Gaze' takes place exactly 20 years after Cabrita's first exhibition at Serralves Museum of Contemporary Art. It presents one single large-scale installation which has been specifically conceived for the architecture on site, focusing on the artist’s reflection on the role of museums.

This major exhibition spanning two floors of the Centro Galego de Arte Contemporánea presents more than thirty works created over three decades, along with site-specific installations in the yard and on the facade of the building.

Kewenig congratulates Christian Boltanski on his retrospective exhibition at Centre Pompidou in Paris, with more than 50 works are on display, 35 years after his first exhibition at the French museum. Conceived by the artist himself as one site-specific installation, 'Faire son temps' takes the viewer on a journey through five decades of Boltanski's oeuvre.

The exhibition brings together 13 new acrylic on linen paintings that with their vivid bright colours explore the line between the conscious and the subconscious. For many years now, Tomasko’s oeuvre has been affected by an intensive investigation of dreams, the unconscious and the emotions.

The city of Poitiers, France, invites Kimsooja to create a dialogue between the history and architecture of its remarkable patrimonial buildings and contemporary artworks. Kimsooja occupies the architecture of places like the Palace of the Dukes of Aquitaine or the Saint Louis Chapel with her works nourished from themes of travel, displacement and uprooting. 

The happy Usagi Kannon is part of two Usagi Kannons that were originally intended as a couple. Created in response to the tragic event in Fukushima, these monumental sculptures are supposed to give both comfort and hope.

To celebrate Imi Knoebel's exhibition 'dass die Geschichte zusammenbleibt' at the gallery, Kewenig is delighted to present this catalogue focusing on the 'Schattenräume' series, the first publication dedicated to this specific body of work.

The filmmaker is a celluloid architect. The cinema creates places that tell us about its builder, its visual universe and the human mind. In Bernardí Roig's films there are baroque halls, geometric structures, abandoned factories but there is also the desert.

‘Lifetime’ is among the artist's largest retrospectives ever held in Japan. The exhibition encompasses 46 works spanning Boltanski's 50-year career and functions as a unified installation designed by the artist, who described himself as an ‘artist of space’. 

The exhibition 'Morgenland‘ at the Fondation Fernet Branca in Saint-Louis presents photographs from the artist’s series 'Morgenland‘ made between 2004 and 2015, a period during which Elger Esser travelled across Lebanon, Egypt and Israel.

Presenting drawings, paintings, and sculptures, the exhibition 'Nach neuen Meeren | Toward New Seas' is a focused retrospective, mounted in consultation with Leiko Ikemura and in cooperation with the National Art Center, Tokyo.

Kewenig is delighted to present 'Human', the catalogue of Sean Scully's 2019 exhibition at the Abbazia di San Giorgio Maggiore in Venice. Opening during the 58th Venice Biennale, the exhibition gathers paintings from Scully's celebrated 'Landline' series as well as the newly figurative 'Madonna' series, alongside especially commissioned works on paper and sculptures, including 'Opulent Ascension', a daring stack of multi-coloured felt frames that raises over ten meter high in the nave of the church.

Human brings together the powerful vision of Sean Scully and the majesty of San Giorgio Maggiore. The exhibition is devoted to the fundamental tension between our heart’s striving in a world of beauty and struggle and our soul’s yearning for eternal transcendence.

Kewenig presents a survey of Sean Scully's sculptural work. Layering elements made of steel, stone, bronze, and painted aluminum on top of each other, he creates structures that expand outward and upward. Much acclaimed for his paintings, to date, however, little attention has been paid to his three-dimensional work.

Garage Museum of Contemporary Art presents a large scale solo exhibition by Pavel Pepperstein. The retrospective features about eighty works from different periods, in a wide range of mediums such as graphics, videos and installations.

The exhibition, curated by Nekane Aramburu, is a project conceived by Es Baluard Museu d’Art Modern i Contemporani of Palma, where it was presented last spring, and that now expanded and reformulated, the Ministerio de Cultura y Deporte opens to the public in Tabacalera.

Featuring more than 210 works, the large-scale solo exhibition 'Our Planet Earth and Stars' at The National Art Center Tokyo presents a comprehensive insight into Leiko Ikemura's artistic career. 

The first exhibition of Liliane Tomasko in South America, 'Caja de Sueños' presents six paintings and a mural. The artist drew from her experience of the Nazca lines to create this unique installation.

Bernardi Roig's works offer a critical perspective on the human conflict with one's surrounding influences – largely media-based. Figures sculpted in polyester resin combined with fluorescent tubes characterise this motif in his work and form the focus of the exhibition.

Kewenig is proud to present the most comprehensive catalogue on Ghada Amer's ceramic work. The book showcases pieces that Amer created during her residencies at Greenwich House Pottery, New York, in the years 2014 to 2017 as well as a photographic documentation of her work in the studios of Cerámica Suro in Mexico.

A day before the opening of his filmic survey at Es Baluard Museum in Palma, Bernardi Roig talks about his creative process for Els Entusiastes. Punctuated by short excerpts of his films, Es Baluard director Nekane Aramburu, musician Joan Feliu, writer Agustín Fernández Mallo and art critic Fernando Castro share their insights on Roig's oeuvre.

This exhibition aims to analyse and review the complex universe of Majorcan artist Bernardi Roig based on the presentation and decoding of his audiovisual work. The pieces are installed in an exciting scenic arrangement, emphasising the initiatory journey between appropriation and recreation of his images and visual constructions.

Liliane Tomasko's first exhibition in Rockland County since moving there in 2015 offers a glimpse into her creative process, the starting point of which is the abstraction of the folds of an unmade bed. The show at Rockland presents twelve spray painted bedlinens, representing twelve nights and the unconscious movements induced by as many dreams.

Kewenig is delighted to announce 'Facing East' curated by Olga Sviblova, which will be presented at MAMM - Multimedia Art Museum, Moscow from 3 November 2017 until 11 February 2018.